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The
oldest preserved data about lace from Gorizia date back to
the second half
of the 17th century and are closely
connected with the Ursuline convent, established in 1672
by nuns who had come from Vienna and Liege. Within the
convent there was also a school, open for girls from
the area and there they were also making lace and embroideries.
The history of Gorizia lace closely intertwines with
Idrija lace.
In the 18th century lace-making spread from
the convent among the town and the countryside population
in the
area. Women and men made lace, especially in times when
there was less work around the house and in the fields.
There is almost no information available about this domestic
crafts, but the Ursulines' products were preserved. Their
value was higher, by technique and material used, and
they were made for the ecclesiastical lords and the nobility.
The products were not only meant for local trading, as
there are documents proving that lace from Gorizia was
sold to Vienna and Graz. Many nuns mentioned as excellent
lace-makers in these old documents were of noble origin.
Emperor's
decrees from the 18th century which protected the domestic
production from imported goods granted an
even stronger position for the lace-making crafts in
the region of Gorizia and in the neighbouring Carniola.
The contemporary fashion of the time contributed strongly
too, as there was lots of lace used for decorating not
only women's dresses with trimmings, corsets, bonnet
cords, but also men's and church clothing. Lace was also
used in bed linen and altar cloths.
In the 19th century
Ursulines would also teach lace-making. End of the 19th
and beginning of the 20th century brought
an ever growing interest in useful art and thus lace
on the international level. Therefore the decorative
motifs were developed and adjusted to the contemporary
art trends and lace-making courses were established in
many villages and towns. After WWII a state lace school
was established in Gorizia and it still functions throughout
the whole province. The school is involved in important
events, competitions and thus keeps the tradition of
lace-making in the region of Gorizia alive.
Rafaella Sgubin Thessy Schoenholzer Nichols summary: Mateja Bizjak
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